Essay on Bram Stokers Dracula Meets Hollywood - 4245 Words

Bram Stokers Dracula Meets Hollywood For more than 100 years, Bram Stoker’s Victorian novel, Dracula, has remained one of the most successful and revered novels ever published. Since its release in 1897, no other literary publication has been the subject of cinematic reproduction as much as Dracula. Dracula has involuntarily become the most media friendly personality of the 20th century. When a novel, such as Dracula, is transformed into a cinematic version, the end product is usually mediocre and provides non-existing justice to the pain staking work endured by the author. Due to production costs and financial restrictions, the director and screenplay writer can never fully reproduce an entire literary work into a screen†¦show more content†¦Murnau (1922), Universal Picture’s Dracula, directed by Tod Browning (1931), and Bram Stoker’s Dracula, directed by Francis Ford Coppola (1992). Since Dracula’s introduction into the world of visual arts, these three film versions of Stoker†™s masterpiece have become the juggernauts from which all Dracula films are based. Although each one possesses a substantial number of differences, each remains loyal in its own manner. The first version of Dracula adaptations is Friedrich Wilhelm Murnau’s Nosferatu: Eine Symphonie des Grauens (The Symphony of Horror). Released in 1922 by Prana Films, Nosfratu is regarded as the first novel to screen adaptation of Stoker’s vampire tale. Film historians of the genre consider it to be the father film and Holy Grail of all Dracula reproductions. Out of the trilogy, Nosferatu is the most influential and the most unfortunate at the same time, due to the fact that because of legal restrictions the film was pulled from circulation and public praise for nearly 50 years. Prana Films utilized the contents of the novel without attaining the copyrighted authorization from the Stoker estate. This infringement resulted in a lawsuit, which the courts favored on behalf of Stokerâ₠¬â„¢s widow, Florence, leading to the destruction of the classic. Murnau unsuccessfully tried to create the illusion that the film was not a representation of Stoker’s Victorian masterpiece by altering the setting, slightlyShow MoreRelatedPsychoanalytical Analysis of Bram Stokers Dracula1790 Words   |  8 PagesCarlos Dena Honors English 11 5/20/13 Critical Analysis on Dracula With several illicit subjects listed throughout Bram Stoker’s Dracula, the book becomes a playground for psychoanalysts. Whether it be to see a subjects as simple as the conscious take over a character, or a character’s surroundings corrupting its victims, Dracula intrigues in more ways than just its vampiristic features. The following is a psychoanalytic study with a focus on vampirism imitating sexual practice and drug usage todayRead MoreAnnotated Bibliography On Gender And Sexuality1955 Words   |  8 Pages– Gender and Sexuality in Literature and Film Major Essay How is gender identity related to sexuality and sexual practice in Bram Stoker’s Dracula? Introduction – 250 words - Describe how Dracula presents a â€Å"characteristic, if hyperbolic, instance of Victorian anxiety over the potential fluidity of gender roles† (Craft, 111-112). - This essay will aim to show how Dracula inverts conventional Victorian gender patterns through the characterisation of the vampire women and the ‘feminine’ passivity